This is a selection of the photographs that are most memorable for me from the year that was (2017). Are they the best I've taken this year? I am probably not well placed to say, but I do know that for each one I felt something profound as I stood where I stood to capture the scene. Maybe excitement, maybe a deep sense of peace, maybe a connectedness, maybe wonder.Read More
A few days ago, I peeled potatoes...well, actually, I took photographs. So why the quote? Because for me, making photos is a bit like peeling potatoes for a Zen master. I can do it for hours, living in the immediate moment, just being.Read More
To Be, Or Not To Be...
I might also have called this ‘colour or black & white’, but Shakespeare rocks, so I went with the current title.
Nick Melidonis recently wrote in Better Photography 89 that “stripping away colour is the first step towards embracing the abstract”. Colour is intoxicating. If you jump on Instagram or 500px and look at the photographs, you’ll quickly see that vibrant colour (sometimes saturation) makes images more appealing. As human beings, we are predisposed to colour like we are predisposed to sugar and fat.
But colour is also a distraction. Black and white imagery (good black and white imagery) is sustained by good composition. Without that it has nothing else to hang its hat on. That doesn’t mean you should only shoot in black and white: shoot colour and then convert. But shooting only in black and white does focus the mind on shape and form, as Richard White suggests in Better Photography 85.
So now for the comparison—a test of sorts. I’ve placed here two images, both created from the same RAW file. The first (before) is the colour image that I took. The second (after) is its black and white ‘twin’, if I can use that conceit.
So which is it: to be, or not to be...? Does the image on the right reveal things that the image on the left doesn’t? Or does it fall short in some way because the composition isn't strong enough? Leave your comments or advice...